Wednesday Comments – Geoff Johns Must Be Stopped!
by mathan erhardt on June 16, 2010

Sorry for the absence of a column, but I recently moved when meant that I went for a time without the internet. It was actually al blissful vacation from participating in net stuff. But now I’m back to the weekly grind.

Sadly, I think for the first time in my decades of collecting DC Comics, I’m beginning to get disillusioned with how things are being run. And I’m pretty sure it’s all Geoff Johns fault.

Geoff Johns is one of the few hands guiding the DCU the past few years and in all fairness he’s been doing a pretty solid job of it. He started by bringing The Flash back to prominence. Then he went on to make the Justice Society not only viable but a darn near vital property in the DCU. Then he lofted Green Lantern and Teen Titans into the sales stratosphere. He even tried to get people interested in Hawkman and Superman. The guy knows how to create buzz and get his books attention.

But lately he’s been busy retelling origins and retconning characters that it’s clear he’s working on a “master plan” of sorts. With his various “Secret Origin” stories and with The Flash Rebirth, Geoff Johns is packaging the mythos of these various heroes in nice easy to swallow capsules.

Look at Superman: Secret Origin. Rudy Jones (who becomes The Parasite) is a janitor at the Daily Planet. John Corben (who becomes Metallo) is a rejected suitor of Lois Lane. And Lex Luthor is instrumental in both Jones and Corben becoming their villainous alter egos. That means that Superman has no degrees of separation from the Parasite and only one from Metallo.

Meanwhile over in Green Lantern: Secret Origin, Black Hand and Hector Hammond basically become who they because of the same sequence of events that result in Hal getting his GL ring. Oh and Hector Hammond also happens to be a rejected suitor of Carol Ferris (sound familiar?)

And while we’ve yet to see Barry Allen’s origin retold, we do know that Doctor Alchemy has been retconned as being someone who bullied Barry as a child and presumably when they worked together in the crime lab. Hooray for progress.

Now it’s my understanding that when John Byrne was writing the much maligned Spider-Man: Chapter One, he tried to link events together because he felt it was absurd to have massive amounts of radioactive material floating around NYC. And in that regard I can completely understand the simplifying of origin stories.

But when Geoff Johns does it, it feels like he’s packaging the story so it’s easily translated to another medium. In a comic book, when you’re retelling an origin, you aren’t really pressed for space. In a comic book there’s no reason for all of these characters in Green Lantern to have their origins tied together. But if you were working on a feature film and you want to establish characters for sequels, well then you’d certainly want to tie as many origins in to the origin of the main character. This also makes sense if you’re working on a possible cartoon.

There was a point when I was a huge fan of Geoff Johns. But now his motives are suspect. I don’t believe he’s writing from his heart or for the fans. To me it feels like he’s writing for Hollywood and instead of them adapting comics, the comics are changing for them.

I also feel like DC is selling it’s icons. It’s why Hal Jordan and Barry Allen are back in the limelight and why Ryan Choi’s dead. It’s why Carter Hall, Ray Palmer and Arthur Curry are returning to the forefront of the DCU.

And because DC is eyeing Hollywood they won’t be taking too many risks with their “icons.” So we as fans will be left with a static DCU where risks won’t be taken, more sidekicks and third string heroes will be killed and more women will end up in refrigerators.

Of course I’m just one fan when you weigh my opinion and spending power against the potential new fans and spending power that Hollywood brings it’s really no contest. I’m not optimistic that my concerns will be addressed.

I guess I’ll just sit and wait for that eventual end to come.

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Wednesday Comments – Relaunch Remorse

mathan erhardt

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  • Wally Kovacs

    Also, it was nice that at the end of the big Superman ark …

    Zod is back in the Phantom Zone, nearly all Kryptonians are dead, as is Sam Lane, and Lex Luthor is back in charge of LexCorp, Mon El is gone to the Legion … seems almost too neatly tied up and set to a “steady state” with everything back to the “status quo” for movies/films.

  • http://comicsnexus.insidepulse.com/author/gmguity/ Greg Manuel

    I read the conclusion to “War of the Supermen” and I couldn’t help but think to myself…this is why Sam Lane didn’t stay dead at the end of “Our Worlds At War”? What a fat load of crap that was.

    In both Marvel and DC, the comic books are being abandoned at worst, or at best taking a back seat to these other types of media, and I do not like it one bit.

  • Mr. Q

    That’s why we haven’t seen anyone do ONE revamp on the Batman year one origin. Some had added onto what Frank Miller (long before he lost his mind) did but nothing to change it at all. There will be a new retelling of Batman but that will be in the Earth One GN’s coming from DC.

    In my opinion, Miller’s Batman Year One was like Jerry Lee Louis setting fire to the piano after playing on stage. Making sure no one can top it.

    As for All Star Batman and Robin, lets leave that mess alone and move onto better things.

    Mr. Q

  • TonyJazz

    It’s even worse than you describe. Last year I subscribed to Supergirl and Green Lantern, as I had heard how good their series had been. I’m sorry that I made that purchase as every issue is tied to some silly major event—so NOTHING happens! The stories are boring and make no sense on their own.

    I avoid Brightest Day titles for the same reason. What happened to storytelling at DC? Is Jonah Hex their only decent comic?

  • http://dangermart.blogspot.com/ Martin Gray

    Interesting piece. The tying up of everything was one reason I packed in the GL books, it’s all Oa and Origin, all the time,

  • EJ

    So what exactly must he be stopped from doing?, writting great stories and helping DC challenge marvel at the top of the charts. Is it him bringing back iconic characters and writting the wrongs done to him. Could it be him finally getting WB to push other characters aside from Batman and Superman to different forms of media like Marvel has.

    Because all of those things are the reason why I want Geoff at the helm of DC Comics right now. He gets the fact that there are tons of great characters and heroes that people want to read about at DC and he is letting them shine. You want him to stop, I want him to continue to do exactly what he’s doing because it’s been along time coming that DC finally stepped it up after the last decade.

  • bluebeetlefan

    Him writing for Hollywood would be kind of pointless since for most of the mainstream DC titles, WB owns the rights and can make whatever movie they want to. Also familiarity can be a good thing at the box office, because if you don’t have. . .say an established villain you could wind up with Iron Man 2, and nobody wants to make that mistake again.

  • Aaron Glazer

    I like Johns… on team books mostly. His ticks stand out a bit much for solo heroes, but spread out among JSA, Titans, or even the various GLs, they are far better hidden.

  • Gary Wiest

    Before hating on DC, please read Secret Six.

  • RustyGuillotine

    War of the Supermen was a complete waste of time designed generate buzz and to boost sales for the short term and then neatly return everything to the status quo. Blatant and shameful cash grab.

    Johns’ JSA, Teen Titans, and Legion of Super Heroes stuff are all great examples of superteam books done right. I can’t say enough about his runs on those books and the praise he gets for them is well deserved.

    My problem with Johns is that because his “fixing” of Green Lantern proved to be economically beneficial for the company, he has been given license to muck with every other iconic property in the same way. I don’t know if it is the inevitable short term sales boom or just plain narcissism that dictates that all characters need Johns to “fix” them as well but I assure you sir, they do not. These Secret Origins are unnecessary and more than a bit lazy. How many origins can one character have?

    Kyle Rayner was a great replacement lantern, but if I’m being honest, his book was mediocre at best and he had no real rogues to speak of. Add to this that there was enough of an outcry from fans to bring back Hal Jordan and it makes perfect sense to reset the franchise and expand the mythology. Also, I love what Tomasi has done with Kyle in GLC Corps. So in this case the formula works, but it should be considered the exception, not the rule.

    The Flash on the other hand is another matter. Wally West has been the Flash for over 20 years. He’s an interesting, well-developed character (in no small part by Johns himself) who has been relegated to limbo for no other reason than for nostalgia. I did read Flash: Rebirth and I do read the new Flash ongoing. I’m really trying to give it a chance and enjoy it but it just doesn’t grab me and I still don’t see the point. At least I have my old trades.

    Sorry about the length. Boredom and anger is a dangerous combination.

  • Someone who is feeling very bitter today

    Johns’ Teen Titans

    Oh, you mean the fact that nearly every Young Justice character suffered character derailment for the sake of PLOT!!

  • http://www.thetogblog.wordpress.com Touch of Grey

    Okay, I’m gonna be honest here. I’m a DC. My pull list is 99% DC titles (still holding onto that last ray of hope that Runaways will come back and not suck.).

    Of the titles I pick up, only two are written by Geoff Johns, and they are Green Lantern and the Flash. I’m sticking with Flash out of loyalty to that particular hero set (16 years and counting), but Green Lantern was a hard sell. I liked GLC, so I assumed I would immediately like the Hal Jordan book as well. I didn’t. In fact, I didn’t jump on the Jordan-train until well into the Sinestro Corps War, and I dropped the title again directly after. Blackest Night brought me back, but I’m probably gonna drop it again.

    The point of the above wordsplosion is this: I have nothing to set Geoff Johns’ Hal Jordan up against. I’ve never liked Green Lantern enough as a character to read anything about him before now.

    From what I’ve read in the trades I’ve found of the GL issues between SCW and BN, it all seems to be a lead-in to Blackest Night. All of it. And Blackest Night itself was a lead-in to Brightest Day. Which leads me to ask, what’s next? What is Brightest Day leading into? That’s what all this has boiled down to for me. I’m not enjoying a comic series so much as wondering what it’ll eventually become. And that makes me sad. Sorry, Geoff, but you’ve pretty much lost me. I’m gonna go see what’s up with Booster Gold and the Birds of Prey.

  • Dhaise

    The idea that one guy needs to write the backbone of a publishing companies titles needs to be looked at.
    Regardless if I enjoy GL or not, it’s a moneymaker and it will stay. Johns also appears to put a bit of thought into the title, and is excited about it,so its a natural fit.

    The same could not be said for his Doom Patrol titans spin off, which was so color by numbers that it was immediately jettisoned.

    Bendis quality barometer has also become shaky. The guy who made his bones with engrossing character studies that used physical action to relate inner turmoil on daredevil is now the guy who writes nonsensical bruckheimer moments churned out assembly line style.

    I like a Johns project that matters to him, and is clearly telling a story. I can do without the endless rationales of silly silver age superfriends science propping up explanations for drastic character changes amidst a blood bath revealing new details about an origin.

    Regarding Supermans non-event ending in a status quo despite the legion of “he wouldnt do that,he clearly has a plan!”: I told you so.

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