FOX FALL 2013 SCHEDULE
*New programs in UPPER CASE; all times ET*

MONDAY
8-9 p.m. – Bones

9-10 p.m. – SLEEPY HOLLOW
 

TUESDAY

8-8:30 p.m. – DADS
8:30-9 p.m. – BROOKLYN NINE-NINE
9-9:30 p.m. – New Girl
9:30-10 p.m. – The Mindy Project
 

WEDNESDAY

8-10 p.m. – The X-Factor (Performance Episode)
 

THURSDAY
8-9 p.m. – The X-Factor (Results Episode)
9-10 p.m. – Glee

 
FRIDAY

8-9 p.m. – JUNIOR MASTERCHEF
9-10 p.m. – SLEEPY HOLLOW (encores)
 

SATURDAY
7-10:30 p.m. — FOX Sports Saturday
 

SUNDAY

7-7:30 p.m. — NFL Game
7:30-8 p.m. — The OT (NFL Post Game)
8-8:30 p.m. — The Simpsons
8:30-9 p.m. — Bob’s Burgers
9-9:30 p.m. — Family Guy
9:30-10 p.m. — American Dad
 

FOX LATE FALL 2013 SCHEDULE (After Baseball Playoffs in November)
*New programs in UPPER CASE; all times ET*

MONDAY
8-9 p.m. – ALMOST HUMAN

9-10 p.m. – SLEEPY HOLLOW
 

TUESDAY

8-8:30 p.m. – DADS
8:30-9 p.m. – BROOKLYN NINE-NINE
9-9:30 p.m. – New Girl
9:30-10 p.m. – The Mindy Project
 

WEDNESDAY

8-10 p.m. – The X-Factor (Performance Episode)
 

THURSDAY
8-9 p.m. – The X-Factor (Results Episode)
9-10 p.m. – Glee

 
FRIDAY

8-9 p.m. – Bones
9-9:30 p.m. – Raising Hope
9:30-10 p.m. — ENLISTED 

SATURDAY
7-10:30 p.m. — FOX Sports Saturday
 

SUNDAY

7-7:30 p.m. — NFL Game
7:30-8 p.m. — The OT (NFL Post Game)
8-8:30 p.m. — The Simpsons
8:30-9 p.m. — Bob’s Burgers
9-9:30 p.m. — Family Guy
9:30-10 p.m. — American Dad
 

 
FOX SPRING 2014 SCHEDULE
*New programs in UPPER CASE; all times ET*

MONDAY
8-9 p.m. – ALMOST HUMAN

9-10 p.m. – The Following
 

TUESDAY

8-8:30 p.m. – DADS
8:30-9 p.m. – BROOKLYN NINE-NINE
9-9:30 p.m. – New Girl
9:30-10 p.m. – The Mindy Project
 

WEDNESDAY

8-10 p.m. – American Idol (Performance Episode)
 

THURSDAY
8-9 p.m. – American Idol (Results Episode)
9-10 p.m. – RAKE

 
FRIDAY

8-9 p.m. – Bones
9-9:30 p.m. – Raising Hope
9:30-10 p.m. — ENLISTED 
 

SATURDAY
7-10:30 p.m. — FOX Sports Saturday
 

SUNDAY

7-7:30 p.m. — NFL Game
7:30-8 p.m. — The OT (NFL Post Game)
8-8:30 p.m. — The Simpsons
8:30-9 p.m. — Bob’s Burgers
9-9:30 p.m. — Family Guy
9:30-10 p.m. — American Dad
 

Of course, this lineup doesn’t include the return of 24 for 12 episodes, likely airing in May 2014. Also, left without a premiere date announced are GANG RELATED, SURVIVING JACK, US & THEM, MURDER POLICE, Hell’s Kitchen, Kitchen Nightmares, Masterchef, and Hotel Hell.

But don’t expect Ben & Kate, The Cleveland Show, Fringe, The Mob Doctor, or Touch to be on FOX, though, because they have ALL been cancelled or have finished their final season!

Anything on here that YOU will be watching?

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His new series, Touch, will have its premiere in spring 2012, but the first trailer of this science-meets-spirituality drama has been unveiled. Tim Kring (creator of Crossing Jordan, Heroes) returns to familiar territory with the premise that everything in the universe is interconnected. Sutherland plays a widower whose mute 11-year-old son, Jacob (newcomer David Mazouz) possesses the ability to detect patterns that connect seemingly unrelated events.

Danny Glover and Gugu Mbatha-Raw (of NBC’s short-lived Undercovers) round out the main cast.

Once it premieres in the spring it will occupy the 9 P.M. slot which was the same slot used for 24.

Watch the trailer below.

“I have big news for Amazon Prime members – we’ve just signed a deal with FOX to add a broad selection of movies and TV shows to our unlimited instant streaming service later this fall. The new additions from the FOX library include 24, Arrested Development, The X-Files, Ally McBeal, Buffy the Vampire Slayer, and – available on digital video for the first time – The Wonder Years. We now have deals with CBS, NBCUniversal, Sony, and Warner Bros, and adding FOX will bring the total to more than 11,000 movies and TV shows available for unlimited instant streaming.”

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FOX FALL 2011 SCHEDULE

*New programs in UPPER CASE; all times ET

MONDAY
8 p.m. - TERRA NOVA
9 p.m. – House

TUESDAY
8 p.m.  - Glee
9 p.m. – NEW GIRL
9:30 p.m. - Raising Hope

WEDNESDAY
8 p.m.  - THE X FACTOR Performance Show
9:30 p.m. – I HATE MY TEENAGE DAUGHTER

THURSDAY
8 p.m.  - THE X FACTOR Results Show
9 p.m.  - Bones

FRIDAY
8 p.m. – Kitchen Nightmares
9 p.m. – Fringe

SATURDAY
8 p.m.  - Cops
9 p.m. - Encores/America’s Most Wanted (Quarterly Specials)

SUNDAY
7 p.m. – The OT (NFL post-game)
7:30 p.m. – The Cleveland Show
8 p.m. – The Simpsons
8:30 p.m. – ALLEN GREGORY
9 p.m.  - Family Guy
9:30 p.m.  - American Dad

NBC SPRING 2012 MID-SEASON SCHEDULE

*New programs in UPPER CASE; all times ET)

MONDAY
8 p.m. – House  
9 p.m. - ALCATRAZ      

TUESDAY
8 p.m.  - Glee
9 p.m. – NEW GIRL
9:30 p.m. - Raising Hope

WEDNESDAY
8 p.m. – American Idol Performance Show
9:30 p.m. - I HATE MY TEENAGE DAUGHTER

THURSDAY
8 p.m. – American Idol Results Show
9 p.m. – THE FINDER/Bones

FRIDAY
8 p.m. – Kitchen Nightmares
9 p.m. – Fringe

SATURDAY
8 p.m.  - Cops
9 p.m. - Encores/America’s Most Wanted (Quarterly Specials)

SUNDAY
7 p.m. – Animation Dominations (Encores)
7:30 p.m. - The Cleveland Show
8 p.m. – The Simpsons
8:30 p.m. - NAPOLEON DYNAMITE
9 p.m. - Family Guy   
9:30 p.m. - Bob’s Burgers

Besides the 2 new animated shows, 2 new comedies, and 2 new dramas that are currently on the lineup, Glee will take an extended Spring hiatus just like it did this year. In its place, two other new comedies Family Album, starring Glee’s Mike O’Malley and Little in Common, starring Rob Corddry, will likely take its place. Of course, they have a handful of shows to fill other holes as necessary.

In addition, 24 star Kiefer Sutherland will also be returning to FOX with new series Touch, which centers on the relationship between a single father and his 11-year-old son with special needs. Their relationship and their lives take an extraordinary turn when the gifted son begins to make connections in his life and around the world. However, production on Touch doesn’t begin until June, so who knows when and where that show will air.

Don’t be expecting The Chicago Code, Lie to Me, Breaking In, Traffic Light, Human Target to be on FOX any time next season, though, because they have ALL been cancelled!

Anything on here that YOU will be watching?

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Source Code is, in many ways, this generation’s Robocop. That is not to say that the sophomore film from director Duncan Jones is in any way tonally similar to Paul Verhoeven’s satire-heavy ‘80s action staple Robocop. The films couldn’t be more dissimilar in the way they explore violence. What bridges the two films, though, is their fluid ponderings on the consequences of action and the levels of trauma that a soldier is asked to go through in their duty to their country.

Jake Gyllenhaal stars as Colter Stevens, an Air Force helicopter pilot who finds himself in the epicenter of a new government initiative that melds quantum physics with anti-terrorism efforts. Hooked up to a mysterious computer program named the Source Code, Coulter’s brainwaves are merged with those of a recently deceased victim of a train bombing in Chicago. Coulter’s mission is to relive the last seven minutes of the man’s life and attempt to figure out who is responsible for the bombing so the government can stop a planned second bombing before it wipes out half of Chicago.

Writer Ben Ripley’s script cleverly combines a classic “whodunit” mystery with high-stakes action, technobabble intrigue and rousing romantic drama between Stevens and Christina, a fellow commuter played by Michelle Monaghan. As Stevens attempts to discover the truth behind the technology that is forcing him to repeatedly die for his country, he makes it his personal mission to save Christina’s life. While the initial romantic catalyst seems a bit rushed at times, the resulting bond between Stevens and Christina is more than believable and gives the film a great deal of emotional resonance.

With Source Code, Jones is able to take the basic structure of a thinking man’s science fiction film — with all its related philosophical quandaries and forward-looking technological leaps — and merge it with the sprit and fire of a summer blockbuster action film. The film pulses with an energy — thanks in large part to Gyllenhaal’s performance. After a series of failed attempts to break into mainstream Hollywood popcorn cinema, Gyllenhaal has finally found a project that allows him to play to his strengths. As an emotionally wrecked, fiery tempered soldier just looking to get out of his new assignment and go home to his father, Gyllenhaal recaptures a lot of the initial spark he showed in films such as Donnie Darko and Brokeback Mountain.

As Carol Goodwin, the Air Force officer helping to administer the Source Code project and acting as Stevens’ liaison into the real world, Vera Farmiga does a great job acting as the emotional center to the film’s action scenes — her growing reluctance to keep sending Stevens back into the minutes before the train bombing hammering in just how scarring an experience it must be to repeatedly be at the epicenter of a terrorist attack.

Source Code is not a time travel movie. Instead, the film cleverly utilizes a lot of the pop-science research into quantum physics and parallel realities that have been getting a lot of mainstream attention — as best summarized in last decade’s documentary What the Bleep Do We Know?

The film’s exploration into the consequences of every action and the ability or inability to change destiny helps flesh out the movie — keeping it from being your average episode of 24 stuck in a loop.

Unfortunately, it’s this same science that keeps Source Code a bit unbalanced. Not quite sure if it wants to be a hard-edged science fiction film or a fluffy “love conquers all” emotional drama, the film wobbles a bit in its third act.

Duncan Jones may not have created a home-run winner like his initial offering Moon but Source Code is definitely proof that Duncan Jones isn’t a one-trick pony. The director has a lot of imagination and a great eye for the cinematic — something that was perhaps not as evident in his relatively quiet first movie.

Director: Duncan Jones
Notable Cast: Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga, Jeffrey Wright and Russell Peters
Writer(s): Ben Ripley
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Best shows

1) Breaking Bad
2) Mad Men
3) Community
4) The Good Wife
5) Rubicon
6) Supernatural
7) Terriers
8) Boardwalk Empire
9) Lost
10) Chuck

Best mindless pleasure shows

1) NCIS
2) Nikita
3) Psych
4) Bones (strictly when it’s not a Booth-Brennan episode)
5) Leverage

Most memorable scenes

1) Epic fight between Hank and the cousins on Breaking Bad
2) Every second of the Community paintball episode
3) Final Lost scene, a big WTF
4) Don completely blows up on Peggy in Mad Men
5) Jack Bauer’s final goodbye on 24

Most disappointing shows

1) Undercovers
2) No Ordinary Family
3) Big Love
4) Human Target
5) True Blood

Most surprising shows in terms of quality (both good and bad, mostly good)

1) Parks and Recreation
2) Sanctuary
3) The Mentalist
4) Big Love
5) Weeds

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Entertainment Weekly is reporting that a script that would bring 24 hero Jack Bauer (played for eight seasons on television by Kiefer Sutherland) to the big screen has not pass Fox’s musters and the project will not be greenlit.

Billy Ray, who has written films such as Shattered Glass, Flightplan, Breach and State of Play, wrote the full-length script that would see an entire day in Bauer’s life condensed down to a two hour movie.

The news that Fox has passed on the script comes from longtime showrunner Howard Gordon, who remains hopeful that the film will eventually get made.

Tony Scott (Unstoppable, True Romance) has shown interest in taking over the project. Personally, I’d rather see Jon and Al Kaplan, two composers who wrote a musical based on season two of 24, take over the project.

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Decisions, decisions. Typically I open my column with a short review of what I think is the biggest new release on home video. But this week I’m at a loss. With five new movie titles vying for my affection, I don’t think I can pick just one. And the variety is just insane. A buddy cop comedy; a men-on-a-mission flick featuring a team that always brings its A-game; a Boston crime drama that proves Gone Baby Gone wasn’t a fluke for Ben Affleck and a pair of animated movies featuring brave owls and yellow minions. How can I pick just one with that line-up?

Depending on your preference, I think The A-Team offers the most in terms of replay value. In a summer of disappointing action movies (see Robin Hood, Prince of Persia), this update of the ’80s NBC television series works as well as it does because it doesn’t take everything so seriously. It may be big and dumb, but on a scale of one to ridiculous the action scenes are about what one should expect. I mean the team escapes a cargo plane about to be blown to smithereens by hopping into a tank and using its mortar shells to propel the tank over a body of water to sustain the impact. Foolish? Most definitely. Entertaining as hell? Absolutely.

For the longest time it looked like the film was going to be directed by John Singleton and star Ice Cube as B.A. Bruce Willis was considered for the role of Hannibal, and Woody Harrelson for Murrdock. When Joe Carnahan (Smokin’ Aces) came on board, he assembled a crackerjack team. Bradley Cooper is perfect as Face and Liam Neeson continues to show his bad-ass streak. As Hannibal, he chews on that cigar and smirks. He has the gravitas to pull off Hannibal’s signature line, “I love it when a plan comes together,” and not have it be corny. When I read that the star of District 9, Sharlto Copley, was going to play Murdock, I had my doubts. But in an interview the actor recounted how much he was a fan of TV series back in South Africa. He totally nails the Murdock character, matching his squirrelly persona beat for beat. As much as these three actors were well cast, the role of B.A. is irreplaceable. I’m sorry, but Mr. T will always be B.A., just as Christopher Reeve will always be Superman. But MMA fighter Quenton “Rampage” Jackson is a little rough in terms of acting chops, but he’s definitely got the bad-ass part down. Besides, Mr. T wasn’t that big on acting; he was all about being an aura of intimidation, which he was.

Unlike a lot of TV-to-film adaptations, The A-Team succeeds because it adheres to the spirit and cornball escapades that made the TV show a hit in the first place.

On home video, the Blu-ray includes a number of extras not found on the DVD. They include a P-I-P track with director Joe Carnahan, deleted scenes and a gag reel, and three featurettes ( “Character Chronicles,” “Plan of Attack,” and “Visual Effects Before and After“). These are EPK-style friendly and may only be worth a singular viewing.

One other extra it includes is the ability to watch an extended cut of the film. Both The Other Guys and The Town have extended cuts as well. The A-Team adds 15 minutes to the theatrical cut, while the Will Ferrell-Mark Wahlberg comedy adds nine minutes and Ben Affleck’s crime drama adds a hefty 28 minutes to its overall time.

The Other Guys was a comedy I enjoyed over the summer. You never know what you’re going to get with Will Ferrell, but whenever he collaborates with writer/producer/director Adam McKay, it’s usually one of the comedians better efforts. Together they’ve made Anchorman, Talladega Nights and Step Brothers. The Other Guys is a buddy comedy with Ferrell playing the straight man to Wahlberg’s I-want-to-go-fight-crime-but-I’m-partnered-with-a-desk-jockey cop. The opening scene alone was worth the price of a matinee ticket. It perfectly captured the ridiculousness of those buddy-cop films of the ’80s. But instead of it being a cop near retirement partnered with someone with a devil may care attitude, the sequence featured two macho detectives (Samuel L. Jackson and Dwayne Johnson) destroying prime real estate in New York City just to capture some dope dealers.

The comedy tries to be timely with Will Ferrell and Mark Wahlberg investigating a shady character (played by Steve Coogan), who tries to cover up some major losses on Wall Street. Solving the case to finish the story is important, but in doing so the comedy falters a bit near the end. But it has a good mix of action and comedy throughout with a nice supporting cast that also includes Eva Mendes and Michael Keaton. (The Dark Knight returns! Where have you been, Keaton?)

On home video, if you buy the single-disc DVD, you get short-changed. The Blu-ray has a King’s Ransom of supplemental material. If you have ever poured through the contents of an Adam McKay release, then you know that the guy loves him some deleted scenes and gag reels. The Other Guys has them aplenty, and the Blu-ray includes numerous comedy bits not found on the DVD. Over 100 minutes of bonus material in all, like a line-o-rama, a “Pimps Don’t Cry” music video, alternate action and eight more featurettes.

Whatever career advice Ben Affleck got after the whole J-Lo episode, that person should be paid handsomely. The one-eighty he’s taken is extraordinary. In the early part of this decade his resume was littered with crap like Surviving Christmas and Pearl Harbor. But in 2006 his fortunes started to change. He got good reviews for his performance as George Reeves in Hollywoodland. A year later he adapted the Dennis Lehane novel Gone Baby Gone. The private detective yarn signaled his debut as a director. Three years after getting rave reviews for his directing he returns with another adaptation, this time Chuck Hogan’s Hammett Prize-winning novel Prince of Thieves. Not to be confused with Robin Hood: PoT, the film was titled The Town. Set in Boston in the neighborhood of Charlestown, The film is a crime thriller that plays up to genre conventions. It’s basically a smaller scale version of Michael Mann’s Heat, but set in Boston. The similarities aren’t uncanny but expected. You have Ben Affleck in the lead role as career criminal Doug MacRay. Able to plan the perfect bank heist, one day a robbery doesn’t go accordingly and a bank manager (Rebbecca Hall) is taken as a hostage. Later, after her release, Affleck begins to develop feelings for the lass, while being pursued by the FBI unit commanded by Don Draper. With pressure coming from a local crime boss (Pete Postlewaite) and heat from the FBI looming, Doug has some serious decisions to make. Should he try to make a go of it with his new girl, or should he remain loyal to his friend (Jeremy Renner) and do one last job?

The Town is a very good flick because of the supporting cast involved – Renner, Hamm and Hall are all good – but it is Affleck who is the strength of the film, able to pull the audience in to his world and make us care about a hoodrat from Charlestown. Even better may be Affleck’s decision to use real citizens as opposed to actors to take up space in the background – at bars, on the street, etc. For a while the film was circling the bottom half of my top 10 year list of the year. But after its release in October, I’ve seen many more films that are just as worthy for top 10 consideration. So not in my top 10. Top 20, maybe.

The Town is not a feature-laden title, but it does have an extra that should be the norm for future extended cut releases from now on. When you select the “Extended Cut Scene Indicator,” a small icon will appear on the screen to denote scenes that didn’t appear in the theatrical release. Other notable features include a commentary track with Ben Affleck flying solo, plus six featurettes that can be viewed as one long 31-minute feature, or while watching concurrently with the theatrical cut.

The last two films I’ll keep brief, because I know you want to see all the DVD and Blu-ray deals of the week. Despicable Me was the biggest surprise of the summer. With more invested in advertising than production, Universal was able to sell the hell out this movie about a supervillain who is upstaged by another. To get revenge he uses a trio of orphans (and an army of minions) to get the upper hand once and for all. Despite an impressive vocal cast (including Steve Carell, Jason Segel, Russell Brand and Julie Andrews), it is the yellow minions that steal the movie. Like Scrat in the Ice Age movies the minions are the comic relief. (Not that there isn’t anything wrong with that.) Apparently Universal and the creators saw how much the kids enjoyed the minions, because with the release of Despicable Me one of the extras is three new mini-movies under the heading “Minion Madness.” Other special features include featurettes on the making-of Despicable Me, the vocal cast and music, plus interactive games (“Super Silly Fun Land,” “Gru’s Rocket Builder”), and the option to view all the behind-the-scenes footage with “Gru-Control.”

I’ll be honest when I say I wasn’t wowed by Legends of the Guardians: The Owls of Ga’Hoole like Scott here, but that may because anthropomorphic owls as heroes are a tough sale. The film includes Zack Snyder’s (300, Watchmen) calling card, where he’ll slow down the action on screen to have things move at an infinitesimal speed and then quickly speed things up. Some call this technique “speed ramping.” With 300 Spartans the effect was all about depicting the veracity of combat, but here the movements are more poetic in nature, allowing us to see the ruffle of owl’s feathers as it glides in the wind. Owls is a pretty picture. What it lacks in story it make up for in visuals. Another plus is the actors that Synder has assembled to lend their voices. Among the actors included are Jim Sturgess, Ryan Wanten, David Wenham, Anthony LaPaglia, Helen Mirren, Sam Neill, Hugo Weaving, and Geoffrey Rush.

Released earlier in the fall, the film got a fifty-fifty split by audiences and critics in terms of approval. And now on home video, Warner Bros. doesn’t offer fans and/or newcomers much in terms of extras. A 15-minute featurette, the Looney Tunes short “Fur of Flying” appear on both the DVD and Blu-ray releases. The Blu-ray has a few more features like “Maximum Kid Mode” where the film breaks away to a behind-the-scenes featurette hosted by an animated character – a first, I think. Also, there are two interactive games (“Armor Up with Soren and Eglantine,” “Match the Owl Treats”), four art galleries, a dreadful music video and a short feature that could have been an alternate opening for the film (“Legend of the Guardians: Rise of the Guardians”).

Well there you have it – a quick overview of five new releases worthy of your hard-earned money.

The A-Team – [DVD / BD]
The Town – [DVD / BD]
The Other Guys – [DVD / BD]
Despicable Me – [DVD / BD]
Legend of the Guardians: The Owls of Ga’Hoole – [DVD / BD]
Nanny McPhee Returns – [DVD / BD]
Cyrus – [DVD / BD]
Joan Rivers: A Piece of Work – [DVD / BD]Micmacs – [DVD / BD]
Mother and Child – [DVD / BD]
True Grit (1969) – [BD]
Hard Boiled – [BD]
The Black Pirate – [BD]
Exit Through the Gift Shop – [DVD]
America Lost & Found: The BBS Story (Head / Easy Rider / Five Easy Pieces / Drive, He Said / The Last Picture Show / The King of Marvin Gardens / A Safe Place) (Criterion Collection) – [DVD]
24: The Complete Eighth Season – [DVD / BD]
24: The Complete Series – [DVD]
Hawaii 5-O: The Tenth Season – [DVD]
Gunsmoke: The Fourth Season, Volume Two – [DVD]
Baseball’s Greatest Games: 1960 World Series Game – [DVD]
The San Francisco Giants 2010 World Series Collector’s Edition – [DVD]
WWE: Top 50 Superstars of All Time – [DVD]

America Lost & Found: The BBS Story (Head / Easy Rider / Five Easy Pieces / Drive, He Said / The Last Picture Show / The King of Marvin Gardens / A Safe Place) (Criterion Collection) – (BD, $69.99)
Ultimate Toy Story Collection – (BD, $59.99)
Shrek: The Whole Story – (BD, $39.99)
Planet Earth: The Complete BBC Series – (BD, $34.99)
Glee: The Complete First Season – (BD, $34.99)
The Fast and the Furious Trilogy – (BD, $27.49)
Modern Times (Criterion Collection) – (BD, $19.49)
Pirate Radio – (BD, $15.00)
Gone with the Wind (Scarlett Edition) – (BD, $14.49)
Casablanca - (BD, $14.49)
Knight and Day (Holiday Gift Set – BD+DVD) - ($13.99)
Up in the Air – (BD, $12.49)
Rio Bravo - (BD, $10.49)
Big Fish – (BD, $10.49)
Sherlock Holmes – (BD, $10.49)
Terminator Salvation – (BD, $9.99)
Dumb and Dumber – (BD, $8.99)
Role Models – (BD, $8.99)
Let the Right One In – (BD, $8.99)
Walk Hard: The Dewey Cox Story – (BD, $6.99)
Master and Commander: The Far Side of the World – (BD, $6.99)

Exclusives:
Despicable Me Limited Edition DVD Double Pack with Best Buy Movie Mode that translates every word the Minions are saying in the movie and the 3 new mini-movies

The Legend of the Guardians: The Owls of Ga’Hoole 1-Disc Blu-ray Release – ($19.99)

The Town 1-Disc Blu-ray Release – ($19.99)

Despicable Me
DVD – $14.99
DVD Double Pack (w/Best Buy Movie Mode) – $19.99
BD+DVD+Digital Copy (w/Best Buy Movie Mode) – $21.99
BD 3D+BD+DVD+Digital Copy (w/Best Buy Movie Mode) – $34.99

The Town
BD – $19.99
DVD – $17.99
BD+DVD+Digital Copy – $24.99

Legend of the Guardians: The Owls of Ga’Hoole
BD – $19.99
DVD – $17.99
BD+DVD+Digital Copy – $24.99
BD 3D+BD+DVD+Digital Copy – $34.99

The Other Guys
BD – $19.99
DVD – $16.99
BD+DVD – $24.99

The A-Team
BD+Digital Copy – $22.99
DVD – $16.99

New Releases
24: The Complete Eighth Season – (DVD, $39.99 – BD, $44.99)
24: The Complete Series – (DVD, $199.99)
Nanny McPhee Returns – (DVD, $17.99 – BD, $26.99)

Gift Sets
The Sopranos: The Complete Series – (DVD, $199.99)
Lost: The Complete Series – (DVD, $149.99 – BD, $179.99)
The Wire: The Complete Series – (DVD, $119.99)
The Golden Girls: The Complete Series – (DVD, $89.99)
Rome: The Complete Series – (BD, $89.99)
Deadwood: The Complete Series – (DVD, $89.99)
The Tudors: The Complete Series – (DVD, $79.99)
Ultimate Toy Box (Toy Story 1-3) – (BD+DVD, $59.99)
The Ultimate Matrix Trilogy – (BD, $49.99)
Back to the Future Trilogy – (DVD, $24.99 – BD, $39.99)
Planet Earth: The Complete BBC Series – (DVD, $24.99 – BD, $39.99)
The Godfather Collection (Restored) – (DVD, $26.99, – BD, $59.99)

Other Deals
Inception – (1-Disc BD, $19.99 – DVD, $17.99 – BD+DVD+Digital Copy, $24.99)
Shrek Forever After – (DVD, $14.99 – 1-Disc BD, $27.99)
Lost: The Final Season – (DVD, $29.99 – BD, $39.99)
Knight and Day – (BD+DVD, $14.99 – BD+DVD+Digital Copy – $16.99)
Dr. Seuss’ How the Grinch Stole Christmas (Live-Action) – (DVD, $9.99)
Mickey’s Christmas Carol – (DVD, $12.99)
Peter Pan – (DVD, $4.99)
Dr. Seuss’ The Cat in the Hat (Live-Action) – (DVD, $4.99)
Harry and the Hendersons – (DVD, $4.99)
The Little Rascals – (DVD, $4.99)
White Christmas – ($19.99)
Peanuts Holiday Collection – (BD+DVD, $29.99)
The Aviator – (BD, $9.99)
Marley & Me – (BD, $9.99)
The Dirty Dozen – (BD, $9.99)
Mr. & Mrs. Smith – (BD, $9.99)
Training Day – (DVD, $3.49)
Risky Business – (DVD, $3.49)
Rush Hour – (DVD, $3.49)
The Assassination of Jesse James by the Coward Robert Ford – (DVD, $3.49)

Exclusives:
The A-Team 3-in-1 Combo Pack with DVD, Blu-ray and Digital Copy

Despicable Me Combo Pack with Wearable Minion Goggles

Despicable Me
DVD – $15.99
DVD Double Pack – $22.99
BD+DVD+Digital Copy (w/ Goggles) – $24.99
BD+DVD+Digital Copy (w/o Goggles) – $24.99
BD 3D+BD+DVD+Digital Copy (w/Best Buy Movie Mode) – $29.99

The Town
DVD – $17.99
BD+DVD+Digital Copy – $22.99

Legend of the Guardians: The Owls of Ga’Hoole
DVD – $17.99
BD+DVD+Digital Copy – $24.99

The Other Guys
BD – $19.99
DVD – $16.99
BD+DVD – $22.99

The A-Team
BD+DVD+Digital Copy – $22.99
DVD – $17.99

TV on DVD and Gift Sets:
24: The Complete Eighth Season – (DVD, $36.99 – BD, $42.99)
24: The Complete Seventh Season – (DVD, $19.99)
24: The Complete Series – (DVD, $179.99)
Friends: The Complete Series – (DVD, $99.99)
Ally McBeal: The Complete Series – (DVD, $99.99)
I Love Lucy: The Complete Series – (DVD, $99.99)
Sex and the City: The Complete Series – (DVD, $99.99)
The Tudors: The Complete Series – (DVD, $79.99)
The Pacific – (DVD, $42.99)
Harry Potter: Years 1-6 – (DVD, $39.99)
Band of Brothers – (DVD, $29.99)
Planet Earth – (DVD, $29.99)
Life – (DVD, $29.99)
Star Wars: Prequel Trilogy – (DVD, $26.99)
John Adams – (DVD, $24.99)
The Godfather Collection (Restored) – (DVD, $24.99)
Spartacus: Blood and Sand – The Complete First Season – (DVD, $24.99)

$14.99 Blu-rays
The Boondock Saints
Fight Club
The Matrix
Sherlock Holmes
X-Men Origins: Wolverine
Where the Wild Things Are
Gone with the Wind
The Polar Express

$9.99 Blu-rays
The Dark Knight
The Lost Boys
Interview with a Vampire
Office Space
Taken
Crank 2: High Voltage
Transporter 3

Other Deals
*Shrek: The Whole Story – (DVD, $34.99 – BD, $49.99)
**Robin Hood – (DVD, $17.99 – BD, $24.99)
**Predators – (DVD, $17.99 – BD, $24.99)
**Percy Jackson and the Olympians: The Lightning Thief – (DVD, $17.99 – BD, $24.99)
**The Kids Are All Right – (DVD, $17.99 – BD, $24.99)
**Charlie St. Cloud – (DVD, $17.99 – BD, $24.99)
**Marmaduke – (DVD, $17.99 – BD, $24.99)
The Last Airbender – (BD, $22.99)
The Chronicles of Narnia: Prince Caspian – (BD, $14.99)
Spider-Man 2 – (BD, $14.99)
Harry Potter and the Half-Blood Prince – (BD, $14.99)
Up – (BD+DVD+Digital Copy, $22.99)
Ramona and Beezus – (BD, $17.99)
The Karate Kid – (BD, $17.99)
The Sound of Music – (BD, $17.99)
A Christmas Story – (DVD, $9.99)
Four Christmases – (DVD, $9.99)
Peanuts Holiday Collection – (DVD, $19.99)
It’s a Wonderful Life – (DVD, $12.99)
Home Alone: The Complete Collection – (DVD, $19.99)
The Original Christmas Classics – (DVD, $17.99)
He’s Just Not Into You – (DVD, $7)
Dr. Seuss’ The Cat in the Hat (Live-Action) – (DVD, $7)
Bride Wars – (DVD, $7)
Dr. Seuss’ Horton Hears a Who! – (DVD, $7)
Alvin and the Chipmunks – (DVD, $7)
Benny & Joon – (DVD, $4.75)
The Blues Brothers – (DVD, $4.75)
The Little Rascals – (DVD, $4.75)
Tom & Jerry Tales – (DVD, $4.75)
Strawberry Shortcake: Big Country Fun – (DVD, $4.75)

*Free $10 Gift Card with purchase of either DVD or BD.

**Free $10 Gift Card when you buy 2 of these titles on either DVD or BD.

New Releases
Despicable Me DVD – $17.99
Despicable Me DVD Double Pack – $24.99
Despicable Me BD+DVD+Digital Copy – $29.99
The Other Guys DVD – $17.99
WWE Top 50 Superstars of All Time – $24.99

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This giveaway will end DECEMBER 24th.

The winner(s) will be contacted to arrange shipping.

*Inside Pulse respects the privacy of its readers.
No information submitted in this contest will be given, copied, transferred, or sold to any third parties.

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I like Kiefer, but the only reason I could see him working as The Thing, hell, him or Willis, happens to be in the manner that the character is planned to exist in the movie. Entirely as CGI with a voice actor. Either would do a great job, but if it’s Kiefer then the words “Damn it” better be in the script at least once every four pages.
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