Image courtesy of www.impawards.com
Director :
Chris Coiumbus
Cast :
Anthony Rapp……….Mark Cohen
Adam Pascal……….Roger Davis
Rosario Dawson……….Mimi Marquez
Jesse L. Martin……….Tom Collins
Wilson Jermaine Heredia……….Angel Dumott Schunard
Idina Menzel……….Maureen Johnson
Tracie Thoms……….Joanne Jefferson
Going from the stage to the screen is a tough feat to accomplish. While Chicago, A Streetcar named Desire, and A Few Good Men took a stage presentation and rode it to critical acclaim (as well as Academy Award nominations), others like Phantom of the Opera haven’t translated as well as the aforementioned plays have. Part of translating sucess comes from having the proper timing; what plagued Phantom was that it had been quite some years after its peak as a Broadway musical that it was given the cinematic treatment. Trying to avoid that sort of feeling, and the lackluster box office results, comes Rent.
What helps is that much of the original Broadway cast returns for the big screen version. Diggs, Heredia, Martin, Menzel, Pascal and Rapp all originally appeared from the original cast and are playing their original roles. Dawson and Thoms are new to their parts and fit in seemlessly as well; this is a cast that knows the play inside and out and shows plenty of poise on screen. There’s no hesitation or lack of character direction; this is old hand for the cast and they do it well.
What’s also done well is the music. It is a musical, after all, and the stage’s rounding score is translated to the screen quite effectively. It’s infectious and intriguing at the same time. It is coupled with the film’s tight-direction and seamless plot; it’s definitely a solid play on those merits alone. And as a film it feels exactly like that: a great stage performance.
There’s a certain presence that doesn’t translate from the stage to the screen; it’s more of a reminder of how good the stage presentation is as opposed to the sort of cinematic wonder it could be. There are moments that are intended to be gripping and emotional that fall a little flat; there’s a certain measure of connection that is lost from being on stage to being on screen. There’s a sense in watching the film that it would be easy to get swept up in the events; a large protest that turns into a riot, a rent strike, a death of a character, all feel a bit hollow due to the lack of connection from the audience to its actors.