Countdown To Inside Pulse V3 – Comics Nexus

Archive, Site News

On Monday September 18th, Inside Pulse will usher in a new era of diehard pop culture coverage for diehard pop culture fans. For the next 2 weeks, one per day, Inside Pulse is giving you a sneak peek of what we have planned for the big day. These are just previews to give you a taste, with a sample of the type of articles you will see on each zone. When we launch fully on the 18th, you’ll see the full new layout and zone sites.

With the proliferation of comic book inspired movies, TV shows and video games flooding the marketplace in recent years, comics have hit the mainstream. The Comics Nexus is written by a group of lifelong diehard comic book fans, who have an appreciation for the artistry, writing and consistency of well-known and obscure titles. Longtime comics fans will find kindred spirits in the Nexus, and new fans will better understand the history and context of today’s hottest heroes by reading the Nexus’s deep selection of commentary, reviews and features.

What You Can Expect:

Kevin’s Saturday Reviews times two!
OMAC #3
DC Comics

Writer: Bruce Jones
Artist: Renato Guedes

This new series is beginning to get interesting. The last OMAC is hosted by a young urbanite pothead who really doesn’t want the job. Brother Eye is slowly self-repairing; its threat isn’t over. And readers got treated to their second set of strippers in three issues. It might not be adult reading, but it’s fun stuff. I think Jones really needs his own characters to do good work, and since this title is being built from the ground up, he’s beginning to shine. The art, sort of a blend of noir palette and realistic penciling, still feels muddy and unmotivated during action sequences, but the interpersonal ones feel right. Consider this a promising work in progress.

Score: B

52 Week Eighteen
DC Comics
Writers: Waid, Johns, Rucka, Morrison

Artists: Giffen and Barrows

What just happened? Was this title just ambushed and kidnapped by Shadowpact? There’s a bit of a Khandaq interlude, and Booster gets buried in Cincinnati, but the entire rest of the book deals with Doctor Fate’s helmet and the mystery surrounding it. While it’s something new for Ralph to do, and further proof that this title has begun its second act, the complete hijacking of the overall issue by a new plotline seems unwise. Not that this book didn’t just ignore like three plots to start this new one. Ugh. The art still rocks, even though I can’t read Detective Chimp’s T-shirt.

Score: C

Nightwing #124
DC Comics
Writer: Bruce Jones

Artist: Robert Teranishi

This issue is housecleaning. The disappearance of the writer’s rogues and supporting cast? Check. The appearance of a guest star to help settle things/talk them over with the series protagonist? Check. A heroic visual and open-ended quotation to finish the issue? Right-O. This is the first issue in Jones’ Nightwing run that felt average (including the very middling art) and fortunately for the readers, that’s ending on a high note. Send in the new team, please.

Score: C

Outsiders #40
DC Comics

Writer: Judd Winick
Artists: Clark and Randall

This is Nightwing written correctly. He’s tough, smart, good with people, and heroic instead of constantly downtrodden. The other Outsiders get moments to shine too, especially Metamorpho and Thunder, but this issue is really all about the villains. We learn how and why Mallah and the Brain (wasn’t that a WB cartoon?) have been knock-off cloning super humans. We learn who else is involved. And the escape of the Outsiders is the icing on the cake. This issue is a rollicking good time.

Score: A

The Creeper #2
DC Comics
Writer: Steve Niles

Artist: Justiano

So they’ve rebooted The Creeper. Again. Happily, they’ve kept a couple of cool things from the 90’s run, including the back and forth dialogue between Ryder and his truly altered ego as well as the toxic effects of the Creeper’s loony laugh. The series hangers on (mob bosses, television people, mad scientists) seem a bit two-dimensional, but they serve their purpose. The non-crossover with Batman was the best since Hitman ran into him after too much curry. So this tale has humor, potential, and the good grace not to be a total pathetic rewrite of everything. And the surreal art suits it. I don’t know if this book could lead to an ongoing thing for the Yellow Menace, but at least he’s being handled well.

Score: B

Posted by Kevin S Mahoney in Comics Nexus (09.09.2006) – full link

WoQW: Speedlines
Even I'm Questioning My Wisdom

Got a fair deal of feedback regarding last week’s column. You also might want to check out this rebuttal written over at the blog Tangled Up In Blue. I think Mary makes some good points, even though we don’t totally agree.

Anyway don’t have a big rambling essay or another parody piece lined up for you guys this week, so here’s a few quick thoughts on some recently released comics.

    The All Nude Atom” /> </p>
<li> The All New Atom has thus far proven to easily be DC’s most entertaining new title. This is somewhat surprising as in recent years John Byrne’s name has been attached to more busts than the entire history of Chaos comics. Still Gail Simone has provided readers with a truly engaging protagonist in the form of Dr. Ryan Choi and Byrne’s art is some of his best looking work in recent years. Not only does issue #3 continue the string of nude scenes from 1 & 2, but we’ve got a metric ton of bad guys running around including hostile aliens, a familiar Wonder Woman rogue, a new fiend named Dwarf Star, and even a monster from Len Wein’s original Swamp Thing run. The All-New Atom’s fresh, consistently funny, but filled with some genuinely frightening plot twists.  It’s well worth picking up.
<li> Dwayne McDuffie’s “The Beyond” mini-series from Marvel has been a rather engaging ride so far teaming up B-list stars like Henry Pym, Medusa, etc alongside newer characters such as Gravity and The Hood.  Throw in the return of Deathlok, Dragon Man, and a cameo by Terror Inc. of all people and it’s hard not to smile. I have no idea where this is going, but I’m really enjoying the ride so far.  Personally I’d like to see McDuffie on some large-scale cast book not unlike his work on Justice League Unlimited, showcasing both well known and more obscure superheroes.
<li> Not to get too far into spoiler territory… but I didn’t care too much for the ending of Robert Kirkman’s “Freedom Ring” story arch. I’m not going to point fingers, but I do find it rather unfortunate that the plot twist of this issue comes so shortly after <a href=http://blog.newsarama.com/2006/08/19/marvel-reverses-labeling-policy-for-gay-characters/>Marvel’s change in editorial policy regarding gay characters</a>.  Kirkman’s attempt at throwing in some comic relief at the end of story also seems extremely misplaced.
<li> On a technical level I’m still very much admiring Justin Gray and Jimmy Palmiotti’s work on Jonah Hex, but I’m starting to feel a degree of fatigue about the character that I often feel with The Punisher and similar violent anti-heroes.  There’s really only so many ways you can make shooting a bad guy in the face interesting.  Things are livened up by a guest-appearance by El Diablo in this issue and I’d like to see DC play with their other western characters some more.  I for one think we’re long overdue for a new <a href=http://www.dialbforblog.com/archives/357/>Bat Lash</a> series.
<li>I was very pleasantly surprised by the unveiling of dozens of new (and old) superheroes as replacement Titans in Teen Titans #38.  Nice to see Geoff Johns putting some new things to play with in the toybox after Dan Didio’s Bodycount Of Fun the last two years have been.
<li> You know I’ve been out of the loop on Shonen Jump for about a year now, and wouldn’t you know it YuYu’s still on that damned Dark Tournament story arch. Which I suppose would be excusable if it wasn’t for the fact they have some 40+ pages of story each month.  And people complain about the pacing in American comics these days…
<p><img class=Paul Sebert in Comics Nexus (09.09.2006) – full link

Welcome To My Nightmare: Float Trip On My Stream Of Conscience, or Building A Better Comic Retail Industry, Part 1

The American comic book world revolves around specialty shops. Of course there are spinner racks at Borders and maybe you can find a few issues at a grocery store, 7-Eleven or…well, that may be it. When I was a kid I was able to get my parental units to buy me comics that came in a plastic bag, 3 issues, usually Marvel, for $1. I know, ONE DOLLAR! It’s amazing! But the industry has steadily pulled away from mass-market retailers such as Target and Wal-Mart (perhaps not all Wal-Marts, but I don’t think any of them in my territory carry issues anymore). My guess is that there’s not enough in it for the retailers. Single-issue comics are an easy theft item, and as a former loss prevention specialist it’s a double-edged sword. You know you can catch people stealing them, but they’re worth $3 on average these days. The cost of prosecuting them will be many times higher, and while I’m processing the delinquent four of his friends are making off with shoes, DVDs, video games and sporting goods. There’s not likely to be any kind of great profit margin on them, and since they’re not the kind of thing that’s going to attract throngs of shoppers to the retailer there’s no point in carrying a high-loss, low-profit margin item like single-issue comics. Of course, I do believe some poly-bagged sets of comics – 3, 5, 10 issues, or better yet sets based around a complete storyline – could sell reasonably well in a Wal-Mart or Target. Oh, and for those who don’t know what Target is, it’s a nicer, slightly upscale version of K-Mart and in many ways no different than Wal-Mart except they’re not so intrinsically annoying and they sometimes piss off trade unions, which in turn pisses off my father, which in turn makes me laugh hysterically. And if you don’t know what any of those stores are, pack up and move off the Amish farm you apparently live on, for the love of commerce!

Posted by Jeff Ritter in Comics Nexus (09.06.2006) – full link

Looking To The Stars: AnimeFest Report

It is a very odd thing, conventions. Sometimes the biggest ones seem very small and the smallest ones seem very big. Case in point: Dallas is host two notable Anime-themed conventions. A-KON and Animefest.

A-KON is the longest-running Anime and Manga Convention in the whole of the United States of America (Fun trivia fact: Dallas is also the first place in the USA to air Monty Python on PBS) and is famed for now being a convention capable of holding the interests of many branches of fandom as well as an international audience.

Animefest, by contrast, is a purer sort of convention. It has managed to stay mainly devoted to Anime and Manga, with gaming and webcomics making up a well-represented minority in the events and convention floor-space. It is more of a local con, or so I have heard. And yet, somehow, as I went to Animefest this year, I seemed to meet more people from far away than I did at A-Kon earlier this summer. Funny how that works, isn’t it?

This was my first time attending Animefest. Why? Well, me being a fanboy of American comics whom regards most Manga with the same cautious but potentially hostile attitude that the USA maintained toward East Germany during the 1960s, I’ve never had any reason to attend Anime-specific conventions before. But I am trying to broaden my horizons – become a Renaissance Fan as it were. And I thought that my readers who ARE fans of Anime/Manga might appreciate the low-down on the convention. And one of my old writing buddies from WAY back in the day was there as a guest of honor.

So it was with a mixture of glee and trepidation that I set forth that morning, managing to avoid the famous downtown Dallas mid-morning traffic jams that make a merry hell of the I-30/I-35 E changeover. One jaunt through the government district to an open and highly visible paid parking lot later and I was just a short walk from the famed Hyatt Regency Hotel at Reunion Tower. What is Reunion Tower you may ask? This.

Posted by Jeff Ritter in Comics Nexus (09.04.2006) – full link

Who Are The Comics Nexus?

Daron Kappauff (Head Editor) – Armed with nearly twenty years of comic knowledge, a degree in English Literature & Writing, and the uncanny ability to make fun of himself (and others), Daron has courageously led this ragtag fugitive bunch long before the Nexus was even a shiny bauble of an idea. Although retired from regular column writing, Daron is the second (and better looking) contributor to The Ultimate Marvel Handbook, alongside Nexus veteran, Jim Trabold. Even though the two rarely see eye-to-eye (which should hardly be surprising considering Daron’s nickname of Dark Overlord), their outings are always comical and insightful, if not always rational.

Manolis Vamvounis () – Manolis joined the original staff of the Nexus to write about Indy comics and mature readers titles. In the last 4 years since then, he has mostly kept focus, and even managed a (mostly) weekly schedule as of late! Originally from sunny Greece, most of his current temperament against Civil War stems from having to live and study in Manchester UK and being without a boyfriend for the past year.
Manolis is currently the interviews and marketing editor for the Nexus, while every Tuesday and Wednesday he posts press releases, Indy news, previews, interviews and Advance Reviews for all companies through his column ‘Leave Your Spandex @t the Door”.

Tim Sheridan () – A screenwriter and advertising exec, Sheridan has been with the Nexus since it started. He graduated from Emerson College in 2003 with a BA in film production and currently lives in Connecticut. He’s been reading comics since he was old enough to enjoy the pretty pictures, and will probably do so until he dies. You can contact Tim at XOdusTWS@cox.net, he’s always eager to talk about comics and pop culture with you.

Jim Trabold (Ultimate Marvel Handbook) – Jim is like a human walking talking Marvel encyclopedia. He is always ready to answer your questions and debate Marvel issues. Along with Daron his partner and editor you never knows what’s coming next. Jim’s been reading Marvel comics for 25 years and one of the go to Marvel minds since the site started. Make sure you check him out

“Starman” Matt Morrison () – “Starman” Matt Morrison was a latecomer to comics but he has more than made up for lost time. A columnist for Fanzing until the bitter end, he has since then been with Comics Nexus as a columnist and critic of fandom culture since our first week – despite the protests of many demanding his job and head. Wherever there is a Con or a D&D game – he is there. Wherever there is an open bar and girls cosplaying Black Canary or Red Sonja – he is there much faster.”

Andy Campbell () – I am a 25-year-old graphic designer from Cleveland, Ohio, living out my “Plan B.” In my spare time, I read comics and play guitar, and write music for a progressive metal band.

Floyd Kermode () – I’m a 44 year old Australian comics fan, who never misses a copy of 2000 AD or the Judge Dredd Megazine. When not reading far too many comics, I read actual literature, teach English as a second language, work out or worry about politics. I live in Northcote in Melbourne Australia. I lived in Japan for eight years, which is where I picked up the 2000 AD habit.

James Hatton () – James Hatton has been around since the inception of the Nexus and has been all over the map. A reviewer, a news commentator, and now back to reviewer, he embodies everything that the Nexus wishes to be. Sexy, debonair, and a man of the world, his only flaw is that he’s bad with deadlines. As a webcomic writer and also a contributer to Pulse Wrestling, he’s as scattered as he is talented. With his ability to turn anything into a joke, and a high opinion of himself, James Hatton is if nothing else, a character.

Logan Scisco () – I like comics. Obviously. I don’t know any famous writers or artists. In fact, I don’t know any writers (apart from me) or artists, period. I don’t read any indie titles. I’m a shill for Batman. I’m a fanboy who’s loving Civil War, loved Identity Crisis, loved Infinite Crisis, and thinks that the resurrection of Bucky and Jason Todd are fantastic ideas. I want more spandex, more heroic poses, more evil plotting, and less gritty realism. I think Chuck Austen got an unfair press and Grant Morrison is over-rated (but still very good). I am, in short, not cool. Or cutting edge. Or even that interesting to talk to. I am, however, really good at writing dating site bio’s, so if you need one, drop me a line.

Tim Byrne () – Despite residing in the land Down Under, Tim is still astonished by the re-election of George Bush. When not following his beloved Hawthorn Hawks in the Australian Football League, he’s cheering the Australian Socceroos, wrecking marriages in his careeer as a family lawyer, and spending way too much of his disposable income on stories with pictures. Oh yeah, he’s meant to be getting married next year too

Kevin S. Mahoney () – Kevin S. Mahoney has been many things in under 30 years: a newsie, a counterman, a writer, and now an editor for ComicsNexus. Between Infrequent bouts of college (science major), he practices Kung Fu, cooks (Cajun and Italian), and reads way too many mystery novels (Parker, Tapply, Rankin, McBain, Chandler). His love of parentheticals, coffee, movies with unhappy endings, and juggling makes him as unique as the next man.

Will Cooling () – “Will Cooling is The Nexus resident Brit comic experts who pops now and again to let you yanks know how the mother country does comics. His drunken wit can also be found in the roundtable where he somehow he manages to slur his typing.”

Jeff Ritter (Columnist) – Old enough to remember actually buying comics for a quarter, Jeff has become cynical in his old age. And one day he decided to do something about it. Donning his trademark Lucha Libre mask, he battles comic book complacency and several Marvel folk who wipe their feet on continuity. Continuity is the fabric of life. Without it your sphincter would explode. Waitaminute…no, that’s regularity… Join him as he keeps Fabian Nicieza on his toes and never let’s Brian Bendis forget the Dr. Strange gaffe in Avengers Disassembled every week in “Welcome To My Nightmare”.

Tim Stevens () – Tim Stevens sits atop the comic book world like a colossus. Is he man, is he myth, is he legend? No one knows for sure. They just know to pay him homage or he will destroy their villages. You can find this icon weekly in DC News & Views and contributing to Who’s Who in the DCU. Or, if you are truly bold, you might venture into the belly of the beast, the ironically named “Garden State” that Stevens calls home.

Iain Burnside () – Iain is Scottish and drinks. He couldn’t write his own bio, and this is his punishment. You can read his reviews every week in the Anti-Nexus.

Paul Sebert () – Paul Sebert is one the veteran writers in the Comic Nexus family and has contributed to the site since 2003. He has also written for the Daily Athenaeum, Spider-Fan.org , The Pulse, and has had all of one article published in the pages Wizard’s Anime Insider. As a former news reporter, roundtable contributor, and reviewer Paul has filled many roles working for our site, but today he’s most comfortable being the main contributor to Words of Questionable Wisdom ( or as we affectionately call it WoQW.) He is also a graduate of the Perley Isaac Reed school of journalism at West Virginia University

Mathan Erhardt () – Mathan Erhardt hasn’t had sex in nearly three years, while living in Las Vegas, and if that doesn’t speak to his expertise on comic books nothing will. He digs DC, dabbles in Marvel and isn’t afraid of indie books. And he probably has too much time on his hands

Jonathan Widro is the owner and founder of Inside Pulse. Over a decade ago he burst onto the scene with a pro-WCW reporting style that earned him the nickname WCWidro. Check him out on Twitter for mostly inane non sequiturs