It’s official. I am addicted to Heroes. This is partly due to the execution and in part because I really DON’T know what to expect next. With the comic industry and a better part of comics fandom right now being so obsessed with previews and nearly every geek out there being eager to know more than all the other geeks out there like that makes them “better” somehow, it is welcome change to see something relating to superheroes that actually maintains the mystique and wonder of the genre.
So if you haven’t caught Heroes yet, do so. You won’t regret it. New episodes on Monday at 9/8 Central on NBC. Reruns the following Friday at 7/6 Central on The Sci-Fi channel. The latest episode is available on-line for one week after airing at The NBC Site and I’m sure the whole episodes will be available on BitTorrent or other file-sharing services if you know where to look.
You should also give a look-see to the official on-line comic. It’s a pretty good read, particularly the most recent installment centering upon Hiro – the Japanese office worker who seems to have developed the ability to alter his position in time and space at will.
And speaking of comics, I believe I have a few – very few, since this was a light week – titles to review.
52 Week #22
Company Name: DC Comics
Writers: Geoff Johns, Grant Morrison, Greg Rucka and Mark Waid
Art: Various
Give this one props for having a great parody title (if you don’t get the joke, ask your parents – assuming one of them read the old Gold Key comics in the 60s) but not much else. I am pleased to note that they finally explained away the 1990’s series where the Metal Men were retconned into being real people in robot bodies – especially if the explanation makes Doc Magnus into a somewhat more interesting, if troubled, character. Then again, that may be redundant for a man who created a nominally female robot who is madly in love with him.
Grade: B
Detective Comics #824
Company Name: DC Comics
Writer: Paul Dini
Artists: Don Kramer and Wayne Faucher
I may sound like a broken record, but Paul Dini is doing wonders on this title. He’s found the perfect blend of humor and mystery that made so many of his Batman: The Animated Series stories sparkle and, in doing so, he has made this the best Batman title in a long time. On the humor side, we have Bruce Wayne stuck with a nightmare date that only bares a slight resemblance to Paris Hilton and a new villain, Mr. Zzz – a narcoleptic who is an amazing fighter when he is asleep. On the mystery side, we have Penguin attempting to go legit as a nightclub/casino owner and someone attempting to the bank on his casino on opening night. All this and a Lois Lane cameo.
Grade: A
Doctor Strange: Oath #1
Company Name: Marvel Comics
Writer: Brian K. Vaughn
Artist: Marcos Martin
I’ve given up my general disregard for all things Marvel at the moment in regards to this comic for two reasons. First, I’ve always had a weak spot for Dr. Strange and wish SOMEONE would do a monthly title for him. Second, this was written by Brian K. Vaughn. Brian K. Vaughn CAN’T write a bad comic. It’s impossible. Seriously. Beyond that, you really don’t need to know much about this going in. It’s a fairly standard plot – hero risks all to save a friend only to have things get more complicated. But it’s Brian Vaughn so it’s far from standard in execution.
Grade: A
Fantastic Four #540
Company Name: Marvel Comics
Writers: J. Michael Straczynski
Artist: Mike McKone and Andy Lanning
Whoever is in quality control at Marvel needs to be fired. Now.
Seriously, you’d think it would be an easy matter to coordinate between TWO writers and get them to agree as to just exactly how and when Sue Richards left Reed Richards. But noooooooo.
(This last paragraph brought to you by Sarcasm Awareness Month.)
Mind you, I have a hard time believing that Sue would ever abandon her children and leave them with the man she’s leaving for being a fascist scumbag totally different than the man she loves and had children with. Still, I will give props to Straczynski for handling Sue in a slightly more believable manner here than the way Millar handled it in Civil War #4. Telling off Reed while holding back the tears (“Do you think I need you to protect me?”) vs. A ‘Dear John’ letter and disappearing into the night after honoring National Steak and a Blowjob day?
Grade: C
And speaking of Civil War, you can’t miss the best art-based parody of Civil War #4. Sadly, the site is down (word spread and the gent nearly hit his bandwidth limit), but a torrent of it can be found here.
Tune in next week. Same Matt time. Same Matt website.
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